Wednesday, January 25, 2017

Hacksaw Ridge

I imagine that people who don't like movies are unable (or unwilling) to detach themselves from reality long enough to appreciate a movie for what it is.  Even the most realistic movie is still just a movie, even a documentary isn't actually happening (it already happened).  I think that I have levels of detachment, depending on the movie there is a sliding scale of what I'm willing to accept in the pursuit of entertainment or enlightenment.  La La Land gets a wide berth, while Manchester by the Sea receives greater scrutiny.  On that note, it is difficult for me to give Hacksaw Ridge a favorable review; while it contained a great story and challenged my preconceptions, its set-up kept jerking me back into reality.
 
The first half of the movie felt more like Captain America than a dramatic WWII film.  Instead of fleshed-out characters, the central cast were simply caricatures, with Vince Vaughn and Hugo Weaving setting entirely the wrong tone.  Both of these actors are great given the right roles, unfortunately this movie was seriously miscast, and the first half poorly directed.  I have struggled with being overly critical of this movie (as you'll see in the next paragraph), but it almost feels like the first half of this movie was made simply as an afterthought.  Backstories in comic book movies can be entertaining.  The first half of a war film shouldn't feel this cliché.

The second half of the movie was effective and thought-provoking.  Director Mel Gibson has often used violence gratuitously, sometimes with great impact.  The violence and gore in Hacksaw Ridge is shown in stark contrast to the self-sacrificing determination of the movie's hero.  The one person who is unwilling to shed any blood is covered with the most.  The person ridiculed and misunderstood is most willing to give everything he has for others.  Even if you find yourself disagreeing with him on principle, you would be calloused indeed if you don't appreciate his commitment.  Therein is the greatest strength of this film, it presents a seemingly enigmatic contradiction, and solves it.  This may have been one of the most interesting war films ever made, if it only it had a better first half.

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