There are two distinct approaches to
reviewing movies: The first being
reactionary, wherein the review is primarily describing the film and its
effectiveness. The second approach is a
deeper exploration, an attempt to determine why the film was (or was not)
effective. What do I mean by
effective? Even the silliest of movies
is trying to do something; whether the filmmaker is preaching or just trying to
make you laugh, every movie ever made has a purpose. All too often I lose sight of this principle;
I overthink movies that were never intended to provoke thought. All this is my preamble for the review of
“The Master”, which is a movie that demands further examination. I liken the experience of watching this film
to that of viewing “Collateral” (with Jamie Foxx and Tom Cruise). It’s possible I suppose that some may have
walked away from that movie with memories of intense action and great performances
by two good actors. For me that film was
a jolt; life isn’t your plan for some point in the future, it’s what you are
doing right now. I place the message of
the film into the context of my beliefs and I know that I am not to worry about
tomorrow; I have a responsibility to honor God today. If each new day is a devotion to this
precept, then I am confident that God will take care of the future.
It is my hope
that each movie I review not only entertains (or informs) you the reader, but
also encourages and builds-up each and every one of you (alright, the two or
three of you). From now on there will be
three separate categories of movie reviews:
Kid Friendly family movie
reviews, Basic “Avenger” this movie
doesn’t have much depth reviews, and Thorough
reviews. I will keep each category
separate, but it is up to you to discern which one the movie falls into. For example, “Monsters University” will be a Kid Friendly review, while “The Master”
which is rated “R” is definitely going to be a Thorough review. I typically
don’t comment on why films receive their MPAA rating, since I know that Focus
on the Family does a profanity count (in case you’re keeping score) and the
official MPAA website gives specific reasons for the movie’s rating. Recently I have mish-mashed reviews together
in a thoughtless way, and I do apologize for inappropriately discussing certain
films in a flippant manner. Also, if you
ever have any questions about something I say (or neglect) please don’t
hesitate to call or email. I love
talking about movies anytime. You’re
probably wondering, “I thought this was a review of ‘The Master’! What’s all this?” Well, here you go…
“The Master”
delivers a message of hope. Or maybe it
is simply a character study revealing the stubbornness of one man. While the intentions of the director Paul
Thomas Anderson may be impossible to determine, I can tell you that I came away
with the message of hope. As the film
opens we are introduced to Freddie Quell, a troubled man played by Joaquin Phoenix. Freddie has seen the horrors of World War II
in the pacific, and now is wandering aimlessly through life. He is plagued by a multitude of sins, which
ferment within his being, exploding in fits of violent anger. We can tell that his soul is tormented, not
only by his evil behavior, but also by the contortions of his face. Enter Lancaster Dodd (played by Philip
Seymour Hoffman), a religious leader who is known by his followers as
‘Master’. He recognizes and praises the
abilities and qualities that he sees in Freddie. He makes Freddie feel welcome and
important. He promises Freddie that he
can relieve him of his burdens and deliver him a happy life. The film excels during scenes in which Dodd
is attempting to convert Freddie. Like
the light saber duel from “The Empire Strikes Back” or the chariot race in
“Ben-Hur”, this film presents a sequence of extraordinary fights scenes. The obvious distinction being that “The
Master” portrays a battle of wills instead of a physical confrontation. There is no doubt to us in the audience that
Dodd is the leader of a cult, a religion devised and operated for his own
gratification. Yet as is the case with
any cult, those caught-up in the fervor cannot perceive the truth. Does Freddie become a follower? I don’t want to ruin the movie for anyone, so
I will not elaborate on the plot any further.
What I will do is make a comparison to an earlier Joaquin Phoenix film,
“Walk the Line”. The best part of that
film was what happened after the movie is over; knowing what Johnny Cash became
after his turbulent rise to fame is the uplifting element. Of course, strictly speaking, what happens
after a movie isn’t really part of the movie; yet I would argue that what we
bring into the movie does influence what we take out. Therefore, recognizing that Johnny Cash’s
salvation later in life came even after the events portrayed in “Walk the Line”
led me to believe that it was a good film.
So “The Master” doesn’t have an ending where everyone has repented of
their sin, and are down on their knees begging God’s forgiveness. It does end with a reminder that even the
most persuasive of false prophets will never have a 100% success rate. "For false
Christs and false prophets will arise and will show great signs and wonders, so
as to mislead, if possible, even the elect” (Matthew 24:24). Even so, ultimately God is in control and
through his grace even those who seem most susceptible to being led astray have
hope.
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