Saturday, March 10, 2007
300
The choreography in "300" is amazing. Usually in battle movies, as defined by "Braveheart", there is a string af individual slashes, stabs, bludgeonings, etc... all edited together to make up a battle sequence. In "300" the camera follows one or two men for as much as five straight minutes, as the work together to take on hordes of enemies. The first guy will slash one enemy, then slam the next to the ground with his sheild, as he does this, his companion will finish off the enemy who just got slammed and spin to attack the next in line. I've seen exemaples of this technique in martial arts movies, but never this smoothly or on this scale. In martial arts movies, very often I get the feeling that it is more of a dance, a rehearsed set of moves. It is still fun to watch, but knowing it has been choreogaphed takes away from the illusion of the story. The strength in the battles of "300" is that everything matches, the characters, the stylization, the sound and the choreography. Now, I could go into the weaknesses of the film, the story, the speeches, the distracting presence of Faramir, but then if you want to see the best, watch "Braveheart" again, if you want to see some sweet fight scenes, "300" is for you.
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Not only was Faramir in the movie, but "Legolas" and "Gimli" fighting over who's killed the most and Gollum made his appearance (in this case Gollum was played by Peter Lorre, the bug-eyed creep from Casablanca.
Oh, and Aragorn and his companions get a chance to kill the Mouth of Sauron like three times in this latest LOTR installment.
But it was fun to watch.
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